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November, 2001 Fan of the Month: Neil Packman
Congratulations, you've won a signed Southside Johnny poster!
I am absolutely delighted to be
nominated fan of the month, looking back on some of the other
recipients makes writing this a daunting task. I have had an
incredible Jukes year and have already written about Jukestock
and singing the Fever on stage with the Band. I have seen the
Band many times on the two UK tours this year and met lots of
really cool Jukes fans. I wanted to write a piece that was a
little different, although it will be hard to avoid the usual
themes like "how I found the band". This piece will be
about playing the Jukes songs and at the end a quick profile of
a Jukes fan, me.
I am a frustrated singer, writer and musician who loves good
music and in particular live shows. I have done the best I can
with my talents and the highlight of my career (If you can call
it that) has been playing Jukes songs myself. I learned guitar
at school, played in several rock covers bands and in the late
70's played in a number of Punk/New wave groups. Loud thrashy
guitars with a hint of melody, but try as I might I could never
get very far. I learned to play the Harmonica Bob Dylan style
and met a blues fan that wanted a singer/Harp/guitar player. We
formed our band Blues Cruise in 82 and played on and off for
four years. I think we all got bored playing Chicago blues and
in late 85 discovered the Blues Brothers. We were perfect for
the roles, me the tall slim harp player with the deep voice and
Little Pete the short fat one. We recruited two Sax players and
began to remodel the band, but we needed more songs and that's
where the Jukes came in.
I had got into Bruce after the River single and loved the
harmony vocals so much that on discovering they were by Little
Steven bought Men Without Women and played it to death. We tried
Tenth Avenue Feaze Out and Lying In a Bed of Fire, but we just
could not get them to sound right. I was gutted and discovering
the connection to the Jukes rushed out and bought Reach Up and
Touch The Sky.
It was an interesting album; some of the tracks were so very
good and others far less appealing. My immediate favourite was
Trapped Again (The version on this Album is the best I have
heard) quickly followed up by the Fever. We chose to cover I
Don't Wanna Go Home, as it was simpler for us to learn. Little
Pete loved Talk To Me and so we did that too. They both worked
well and went into the set with great success. I was desperate
to do Trapped Again and worked out the chords and all the horn
parts, only to discover that at that time I could not sing it in
the key required ! It took me another couple of weeks to work it
out in a more suitable key and immediately on playing it the
band they agreed to put it in the set.
This tactic succeeded, bring the song to practice all worked
out, play it to the band and sulk if they didn't like it. So I
worked out the Fever however the band objected; "we are
doing three Jukes songs already we don't want any more in the
set". Oh don't worry this is a Bruce Springsteen song,
great it was in. We did demo's of both at a local studio and the
Fever quickly became a firm favourite. After one gig a chap came
over to Little Pete, oh The Fever that's a Southside Johnny song
isn't it. A heated debate quickly got started and I eventually I
had to come clean, yes the Boss wrote it but the Jukes have made
it their own.
After that we added more Jukes songs, we could play them and the
crowds liked them. There were ten of us in the band and we all
went up to the town and country club in London 86 to see the
Jukes. We were gutted; they were just so damn good. The singer
stayed in key, the guitarist didn't drown out the rest of the
band, the horn section all played in tune together and the
drummer actually kept time. The truth was out we were not
exactly superstars, but we all enjoyed playing and pulled good
crowds, and I got to sing the songs of my favourite band.
In 1989 we got to play at the radio one Xmas party, our payment
was a day at the Maida Vale studios where we recorded the Fever
(For the second time) a couple of other covers and one of my own
tunes Sun City Blues. At the end of the session we recorded our
whole set live including Trapped again, Restless Heart, Talk to
Me, Vertigo and Without Love.
The release of Better Days was the final turning point for me.
I had Greatest Hits, which I loved, but I don't wanna go home
had only a few tracks I really liked. The first few notes of the
new Album were amazing the sound was a little harder and modern
recording techniques produced a great album. I love Better Days
and it is still my most played Jukes recording.
Spittin Fire was a real shock, I bought it without knowing it
was an acoustic show, despite the absence of the horns I quickly
got into the album and started to surf the net to catch up with
the band again. The digest and web site got me hooked and as a
result I managed to get myself to Jukestock, truly the best ever
Jukes event for fans.
Jukestock also got me into playing again; I met Dave Percival
who is a long-term Jukes fan and lyric writer. He gave me a book
of his work and I am currently trying to do justice to his words
with my own music. The danger is trying to write like Little
Steven and sing like Southside, It just does not work!!!!!
So I am a Jukes fan, I have many recordings and videos due to
the help of other followers of the band. I don't listen to them
all day every day, I don't go to every gig and I do have many
other interests in life. The Jukes are however my favourite band
by some distance. I listen to lots of music and some of my
favourites are The Pixies, Social Distortion, Echobelly, The
Doors, Stevie Ray Vaughn and of course The Boss and my favourite
writer Little Steven.
Not only have I enjoyed the Jukes music for many years but also
meeting up with and corresponding with many other like-minded
people. For the future I would love the band to record some more
Little Steven songs, another UK tour next year and one day soon
another Jukestock.
Raise a Glass
Southside Neil (The Fake Juke)
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